“A Night Among The Lights” Mixed Media, by Chiara Luz, 2026.
I am back painting. I am sharing the beginning of my summer series focused on what I call the Light Among Lights.
It is a section of a larger work. I will make some sections for sale.
Peace.
I am building my new studio and have a list of potential collectors, with more being added. If you’re interested in joining the list, you can email me at info@chiaraatoyebimedia.com.
I will be offering work by myself as well as select pieces from other artists. Custom work will be limited online, but there will be other special items available. Feel free to check out the Etsy shop.
We’ll also have more coming for America 250, and the current digital download includes an embroidery image. You can download it and create it from the comfort of your own home.
You can also see some of my artwork on Instagram at chiaratoyebi.
My son is phenomenal artist and also a Kid Cudi fan, and one of my business partners and favorite people. Everything I do is for my babies and I do not regret it or feel conflicted. I feel blessed and fortunate.
I am not active on social media, but it should still be there.
Image by the author Chiara Luz via Generative AI
Sometimes there is a heaviness that we feel in our lives. It may be there for various reasons. It can get difficult to manage in the cold months and when the weather is grey. I was talking to a family member about the healing power of art today and what makes it so powerful. Art doesn’t ask you to talk. It doesn’t judge and when you are in the process of creation—you are free.
I’ve moved into the realm of spiritual art, and as fascinating as it is, it can also feel heavy. Its purpose is healing, yet I realize now that I needed more healing myself before diving into this journey. I’m in a better place these days, more grounded, and more prepared to receive the remarkable gift of communion with the other side.
When I feature saints here on Chiara Atoyebi Media, it’s intentional. Through every challenge and hardship in my life, a saint has walked with me. Even my daughter Calais — whom I imagine praying for me day and night — brings me a deep sense of calm. I share with my readers the same things I lean on in my own life. I may not be as direct as many people, but this is my story. I mention my other site, my life’s work, and my nonprofit because they are part of that story. The House of Maryam is something I had to grow into, and I suspect I’ll always be reaching for the wisdom and compassion I hope it reflects.
In my daily life, people don’t often associate me with struggle, but I have my challenges. Parenting, especially, stretches every part of my soul — particularly when guiding children through a new family dynamic. I think I handle it well, yet when I talk about opportunity, housing, stability, education, creativity, all of it matters. This is life. We only get one, and it should be beautiful.
One of the greatest lessons I’ve learned is that the beauty I’ve poured into others becomes medicine when I finally give it to myself. That realization felt like a holy ordinance. I never imagined I could offer that kind of love to myself or that joy could be something I truly experienced. For the first time in my life, I listen to love songs. The first was “Overjoyed” by Stevie Wonder, then “Lovely Day” by Bill Withers, and the list keeps growing. I spent a lifetime listening to breakup music. If I have any advice, it’s this: you are what you listen to. If you fill your ears with fighting and making up, you’ll live in that cycle.
In the months ahead, my goal — along with the other writers on this site — is to offer simple, useful information that helps you build a beautiful life right where you are. I believe that when we’re faithful in small things and truly grateful, we rise. I already feel lighter and more elevated simply by having this space to communicate and share with you.
This month is National Hobby Month, and it’s the perfect time to reconnect with something you love. What’s life without a little joy that belongs only to you? If you have a hobby you adore, I’d love to hear about it. I’m always open to trying something new. Who knows — I may even join you from afar
By Chiara Luz
This site is a holistic media endeavor. Soon, it will be opened up to even more minds and opinions. That is not only how community meets the moment, but art. Art and media are two conjoined halves in my opinion. They function best when they’re interdependent. In our politically charged society we have the opportunity to mine the fields for problems and see where art can tell a different story and advance a better future.
In our politically charged society, we have the opportunity to mine the landscape for problems and explore where art can tell new stories. I taught a workshop on technology and art for the Women’s Caucus for Art a couple of years ago. I am an advocate for digital tools, artificial intelligence, and digital art and sales. I believe there are not only creative, but fiscal, opportunities available within this genre.
Traditional Art Practices
While in-person engagement with art is increasing and traditional forms remain a mainstay of the status quo, the digital world is still evolving. There is as much possibility there as the mind can imagine, and I champion it. Throughout history, art has always faced attack. Artists are close to the Creator —they bring forth the unseen. That is a great deal of power.
So will art survive the moment with integrity and dignity? Of course they will. They are the moment.
It’s also comforting to know that artists still retain control over what they make and how they choose to say it. Artists are needed. Art is the baseline of all innovation, while words shape the language around it. Together, they form the rhetorical world-building pillars of society.
If I had a question, it would be this: how will art rise to the occasion? How will it shape new narratives? Through UNESCO we can study cultural globally and how to preserve it, yet what arw futurists envisioning now? We have spent a fair amount of time uncovering problems and successfully answering some of them. How do we take it a step further while building our own magical society? That is the power of art. I will always be a believer in the small steps. The small details. The small wins.
I believe in each brick that carefullt builds out our daily dreams and lives.
Support the national arts, here.
Image by Khalifah ALHazaa from Pixabay
Thanks for sticking with us! We’ve added the UNESCO Heritage RSS feed to the bottom of “Our Current Media,” and we hope you’ll check it out as we continue our storytelling and crafting mission. What’s so incredible about UNESCO is how it ties into our values—faith, family, and folklore are all rooted in heritage. Growing up in different parts of the world shaped how I see life, raise my kids, and build my legacy. We’re the keepers of our traditions, and I hope you’ll subscribe to our upcoming heritage newsletter and feel inspired to create and learn, no matter where you are. And yes, we’ll definitely be featuring heritage from Maryland and across the U.S.
What Is UNESCO and Why Does It Matter?
The United Nations Educational, Scientific and Cultural Organization (UNESCO) was established in 1945 with a bold vision: to build peace through education, science, culture, and communication. Today, UNESCO works with 194 member states to protect cultural and natural heritage, advance inclusive education, and promote freedom of expression. Its flagship World Heritage program safeguards sites of outstanding universal value—from ancient monuments to biodiversity-rich landscapes—ensuring they endure for future generations.
UNESCO’s mission goes beyond preservation. It fosters global dialogue, sets ethical standards for emerging technologies, and advocates for cultural diversity as a cornerstone of sustainable development. In a world facing climate change, conflict, and rapid digital transformation, UNESCO reminds us that peace is rooted not only in treaties but in shared knowledge and cultural solidarity.
Image by Marisa04 from Pixabay
The Role of Heritage in Modern Society
Heritage is more than monuments or artifacts—it is the living memory of communities, expressed through crafts, traditions, and stories. Preserving heritage means protecting identity, fostering creativity, and inspiring innovation. In an era of globalization, heritage offers a sense of belonging and continuity, anchoring us in values that transcend borders.
Chiara Atoyebi Media: Crafting Stories That Matter
At Chiara Atoyebi Media, we believe heritage is not a relic of the past but a vibrant force shaping the future. Our commitment is to deliver heritage news, artisanal crafts, and legacy narratives that celebrate cultural richness while embracing modern storytelling techniques.
Through curated features, interviews with artisans, and explorations of cultural trends, we aim to:
Why This Matters for Our Readers
Our readers seek more than information—they crave connection. By aligning with UNESCO’s vision, Chiara Atoyebi Media offers content that inspires pride, curiosity, and responsibility. Every article, photo essay, and craft feature is designed to spark conversations about sustainability, identity, and creativity.
Looking Ahead
As we expand our coverage, expect deeper dives into UNESCO initiatives, profiles of heritage custodians, and stories that explore how culture adapts in a digital age. Together, we can transform heritage from a static concept into a dynamic movement—one that empowers communities and enriches global understanding.
Don’t forget to click on our current media and scroll down. You will find the UNESCO Heritage Feed. Enjoy.
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How important is spirituality in your life?
When I lived in Los Angeles, as a working actor, I spent my free time doing yoga and making art. I first started doing yoga to help my focus, and I chose Hatha Yoga at the time. I checked out books from the library and put a mat in my apartment and did thirty minutes a day. When I finally got to a studio, it blew my mind. My favorite yoga is Bikram. It’s the one I will settle on for life. It’s played one of the greatest roles in my healing journey. I welcome the 90-minute struggle.
The rest of my spiritual life is more nuanced. Mary Magdalene and Maryam are both key to my spiritual life. They are the foundation of what I’m doing. Simply having their images in my home brings peace. I love to go to various Marian sites and leave flowers and prayers. There is an entire ritual to the things I do, and when I do them, I am living my highest self.
I woke up this morning thinking of St. Ignatius of Loyola. He was the Spanish saint of the abused and down trodden. His flock was like Oshun’s. He was a Jesuit, and if you know my heart for Papa Francisco, I will always believe it was a sign from him. This is a gentle reminder to be there for my ladies. The ones whose stories get hidden behind some ugly things. Also for my son’s. Because when you speak to the heart of men, even when it’s tough, they will look out for you.
I created this mixed media piece I call “The Heart of Mary” a few days ago. It sits in my front room on the windowsill. This piece is one of a few Marian and sacred artworks that will be available in my shop.
Additionally, I have a personal website that is dedicated to my passion for Sacred Art. I truly cherish it, and as an artist and enthusiast for Bible stories and history, I had to grow out of my timidness about sharing it.
In 2017, I had a strong spiritual encounter with a statue of St. Therese of Liseux. A devout friend of mine from our hospital days saw her crying with me while we gave her flowers during a Basilica visit. In my naivete, I thought it was a bad thing. We were the only ones who saw it, and for some reason, no one came near us, and we were in a high trafficked area. Obviously, it was good. My daughter lived thirty more days beyond her hospice expectancy after that sighting. Since then, I have seen miracles I am sure most people may not see. However, I hope you do.
I first began making Marian Art in 2022. There are lots of drawings and some paintings. My most notable one is when Our Lady made her presence known in my largest painting as Our Lady of Zeitun. It was beautiful. I called it “Good Morning.” It will be in my next book.
I have also written about my statute de San Martin which was blessed by Pope Francis in Peru. I treasure it. It’s now in my home studio. In the picture is my personal memorial to him for the year. He had a meaningful legacy and a gentle heart. This is my way of keeping his memory alive in our home for the year. I think the picture of Mary just elevates the serenity of the space even more.
When I walk by it, I feel a presence that calls me to step lighter and speak softer.
Today, I am sharing one pillar of what has gotten me through times of anger, sadness, isolation, and even childishness–Mary. But it’s an even greater reminder that miracles still happen.
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Written By: Chiara “Luz” Atoyebi
The 1980s will go down in history as a time that American’s were finding their true voice. Women, LGBTQ, communities of color, and women across the nation were demanding to be heard amidst the bullhorns of Reaganomics and conservative politics. The now-famous -pop art style of the ’80s that was signature to artists like Keith Haring, Andy Warhol, and Jean-Michel Basquiat depicted the various social issues of the time visually captivating images that utilized repetition as a technique or drew viewers in with their bold color palettes. These artworks and the artists themselves were making bold statements about the world we live in and made us ask questions. Somewhat on the outskirts of the (pop)-ular Pop Art movement were many African-American photographers making art that dealt with the obstacles of navigating race, gender, and sexuality in America. At the forefront of that effort was Brooklyn based artist Lorna Simpson. Simpson is a renowned multimedia artist and photographer whose work often explores themes of memory and representation, particularly in relation to identity, gender, race, and history. She gained prominence in the 1980s and 1990s with her photo-text installations, such as “Guarded Conditions” and “Square Deal,” which challenge viewers to think deeply about these issues. Simpson’s work frequently combines photography, film, video, painting, drawing, audio, and sculpture to create a multifaceted exploration of memory and history. She is known to juxtapose images with narrative text while encouraging viewers to look beyond surface appearances to consider the deeper implications of representation.
Her work, similar to Baltimore based artist, Zoe Charlton ‘s work deals with debunking stereotypes concerning black men and women. Where Charlton is masterful with her pencil art, Simpson uses black and white photography to deconstruct the images of black women in order to show their many layers. In the absence of flash or color, the viewer focuses on the moment in which the subject exists with pretense.
In doing so, Simpson concludes there is nothing more “magical” about a black woman than in any other woman–at least upon first glance. Yet by honing in her in this way with out overly pronounced bosoms and backsides, she was able to draw attention to the sensuality in the mundane that is her body. She too, like every other woman—is a woman of many facets. One of the many ways the Simpson explores the body is through her work Memory and Representation.
The intimate portrayal created by the artist stands in stark contrast to other artists who aim to explore black women, their sexuality and their essence differently. For example, Kerry James Marshall’s untitled work Beach Towel displays a very vulnerable and seductive black woman on a beach towel in a backyard. Of course, Black women are also this representation as well, making it hard to over generalize and at times marginalize the body.
All of these images challenge the ongoing conversation of how African Diasporic women, and their images, show up in the world.
I had the fortune of partaking in an intimate virtual lecture with Catherine Morris, curator, of the Elizabeth Sackler Center for Feminist Art locates the @brooklynmuseum. Lots of these wonderful artists featured in these exhibits you may learn about on my new site chiaratoyebi.com along with many nameless, faceless creators that add meaning and hold up a mirror to our societies. Their art pushes boundaries and moves forward the agendas for change we all are part of. These artists, especially women artists of color, domestically and globally need to be recognized and supported for the amazing work they do. Art is healing. In the words of artist and friend @imanasfari “art makes a home happy.” Nothing is more true than the latter statement. In times of crisis we must create. These books are about black women that demanded to be hurt. That struggled to bring their visions and voices to life and be heard when no one seemed to be listening. Curated by Rujeko Hockley and Catherine Morris together they created the amazing treasure trove of a sourcebook “ We wanted A Revolution. Black Radical Women 1965 to 1985.”
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